Japanese music is eclectic and diverse. Many instruments, such as the koto, were introduced in the 9th and 10th centuries. The accompanied recitative of the Noh drama dates from the 14th century and the popular folk music, with the guitar-like shamisen, from the sixteenth. Western classical music, introduced in the late 19th century, now forms an integral part of Japanese culture. The imperial court ensemble Gagaku has influenced the work of Japanese music is eclectic and diverse. Many instruments, such as the koto, were introduced in the 9th and 10th centuries. The accompanied recitative of the Noh drama dates from the 14th century and the popular folk music, with the guitar-like shamisen, from the sixteenth. Western classical music, introduced in the late 19th century, now forms an integral part of Japanese culture. The imperial court ensemble Gagaku has influenced the work of some modern Western composers.
Notable classical composers from Japan include Toru Takemitsu and Rentarō Taki. Popular music in post-war Japan has been heavily influenced by American and European trends, which has led to the evolution of J-pop, or Japanese popular music. Karaoke is the most widely practiced cultural activity in Japan. A 1993 survey by the Cultural Affairs Agency found that more Japanese had sung karaoke that year than had participated in traditional pursuits such as flower arranging (ikebana) or tea ceremonies.
Main articles: Japanese literature and Japanese poetry
12th-century illustrated handscroll of The Tale of Genji, a National Treasure
The earliest works of Japanese literature include the Kojiki and Nihon Shoki chronicles and the Man’yōshū poetry anthology, all from the 8th century and written in Chinese characters. In the early Heian period, the system of phonograms known as kana (hiragana and katakana) was developed. The Tale of the Bamboo Cutter is considered the oldest Japanese narrative. An account of Heian court life is given in The Pillow Book by Sei Shōnagon, while The Tale of Genji by Murasaki Shikibu is often described as the world’s first novel.
During the Edo period, the chōnin (“townspeople”) overtook the samurai aristocracy as producers and consumers of literature. The popularity of the works of Saikaku, for example, reveals this change in readership and authorship, while Bashō revivified the poetic tradition of the Kokinshū with his haikai (haiku) and wrote the poetic travelogue Oku no Hosomichi. The Meiji era saw the decline of traditional literary forms as Japanese literature integrated Western influences. Natsume Sōseki and Mori Ōgai were the first “modern” novelists of Japan, followed by Ryūnosuke Akutagawa, Jun’ichirō Tanizaki, Yukio Mishima and, more recently, Haruki Murakami. Japan has two Nobel Prize-winning authors – Yasunari Kawabata (1968) and Kenzaburō Ōe (1994).
Main article: Japanese philosophy
Kitaro Nishida, one of the most notable Japanese philosophers
Japanese philosophy has historically been a fusion of both foreign; particularly Chinese and Western, and uniquely Japanese elements. In its literary forms, Japanese philosophy began about fourteen centuries ago.
Archaeological evidence and early historical accounts suggest that Japan was originally an animistic culture, which viewed the world as infused with kami (神) or sacred presence as taught by Shinto, though it is not a philosophy as such, but has greatly influenced all other philosophies in their Japanese interpretations.
Confucianism entered Japan from China around the 5th century AD, as did Buddhism. Confucian ideals are still evident today in the Japanese concept of society and the self, and in the organization of the government and the structure of society. Buddhism has profoundly impacted Japanese psychology, metaphysics, and aesthetics.