Artistic production in Greece began in the prehistoric pre-Greek Cycladic and the Minoan civilizations, both of which were influenced by local traditions and the art of ancient Egypt.
There were several interconnected traditions of painting in ancient Greece. Due to their technical differences, they underwent somewhat differentiated developments. Not all painting techniques are equally well represented in the archaeological record. The most respected form of art, according to authors like Pliny or Pausanias, were individual, mobile paintings on wooden boards, technically described as panel paintings. Also, the tradition of wall painting in Greece goes back at least to the Minoan and Mycenaean Bronze Age, with the lavish fresco decoration of sites like Knossos, Tiryns and Mycenae. Much of the figural or architectural sculpture of ancient Greece was painted colourfully. This aspect of Greek stonework is described as polychrome.
Ancient Greek sculpture was composed almost entirely of marble or bronze; with cast bronze becoming the favoured medium for major works by the early 5th century. Both marble and bronze are easy to form and very durable. Chryselephantine sculptures, used for temple cult images and luxury works, used gold, most often in leaf form and ivory for all or parts (faces and hands) of the figure, and probably gems and other materials, but were much less common, and only fragments have survived. By the early 19th century, the systematic excavation of ancient Greek sites had brought forth a plethora of sculptures with traces of notably multicolored surfaces. It was not until published findings by German archaeologist Vinzenz Brinkmann in the late 20th century, that the painting of ancient Greek sculptures became an established fact.
The art production continued also during the Byzantine era. The most salient feature of this new aesthetic was its “abstract,” or anti-naturalistic character. If classical art was marked by the attempt to create representations that mimicked reality as closely as possible, Byzantine art seems to have abandoned this attempt in favor of a more symbolic approach. The Byzantine painting concentrated mainly on icons and hagiographies. The Macedonian art (Byzantine) was the artistic expression of Macedonian Renaissance, a label sometimes used to describe the period of the Macedonian dynasty of the Byzantine Empire (867–1056), especially the 10th century, which some scholars have seen as a time of increased interest in classical scholarship and the assimilation of classical motifs into Christian artwork.
Post Byzantine art schools include the Cretan School and Heptanese School. The first artistic movement in the Greek Kingdom can be considered the Greek academic art of the 19th century (Munich School). Notable modern Greek painters include Nikolaos Gyzis, Georgios Jakobides, Theodoros Vryzakis, Nikiforos Lytras, Konstantinos Volanakis, Nikos Engonopoulos and Yannis Tsarouchis, while some notable sculptors are Pavlos Prosalentis, Ioannis Kossos, Leonidas Drosis, Georgios Bonanos and Yannoulis Chalepas.tourism#tour#worldtour #bestplace#nature#beauty enjoy#experience#history